Landscape Artists, Wilderness, and National Parks

In the 1800s there was an art movement called the Hudson River School, this movement included artists like Albert Beirstadt, Thomas Cole, Samuel Colman, and Robert  Duncanson among others. These men painted landscape of the Hudson River Valley, the Catskills, Niagara Falls, and the Oxbow , which was then recreated by Ansel Adams.

The Oxbow by Thomas Cole

 

Tetons and the Snake River by Ansel Adams 1942

 

 

 

 

 

Almost Heaven by Thomas Kinkade
Princess & the Frog by Thomas Kinkade

The influence of the Hudson River School was carried into the mid-19th century by artists like John Frederick Kensett and Martin Johnson Heade, who came to be known as Luminists because of their experiments with the effects of light on water and sky, and by Frederic Edwin Church. Church, who based himself in his panoramic home in the Catskills at Olana, sought more extensive horizons for his canvasses. Like Walt Whitman he tried to contain multitudes. This movement was then brought into our own century by Thomas Kinkade who is famously known for working with Disney.

Why does this movement matter?

It represents “a great hopefulness and a wistful remnicience of the American experiment, a celebration of the primeival American landscape, the entrance of technology into that landscape, and eventually sorrow at its passing, to both a belief in a Provinically ordained destiny and the crisis of the Civil War” (Hogan).  During the 1800s there was the introduction of several new inventions and the boom of the Industrial Revolution shortly after a completely different boom, The Civil War. With this movement the painters set out to establish a romanticism and aesthetically appealing Hudson Valley that was slowly but surely being demolished in favor of towns, cities, and buildings. The wilderness for quite some time has had this illusion of being mysterious, containing awful beasts and savages, yet there is also this lust of returning to nature and our natural state of living off the land. This side of nature is hauntingly beautiful and possibly godlike or even Eden-like. These men set out to portray this side of nature.

This Eden-like ideal can most definitely be seen in Kindred Spirits in which the founding figure of the Hudson River School and William Cullen Bryant are depicted as surveying the scenery of the Catskill Mountains. However, this depiction of the Catskills is unlikely depending upon where this was supposed to be, if it is the area surrounding Route 17 in New York then yes it is highly likely to have a view that looks like this, but if it is a view that is along the Hudson River then that view would be filled with steam ships and other boats carrying cargo to and from bustling New York City.

Did this Influence Teddy Roosevelt?

Teddy Roosevelt is known for his love of nature, even though he was a big game huntsman, and for his political gains in Panama, but would this movement influence his decision to create National Parks? Yes and no, he was most likely aware of Thoreau, the Hudson River School, and the art movement, but it was after a big game hunting trip to North Dakota that influenced him to conserve the wilderness.  “Whenever he managed to spend time in the badlands, he became more and more alarmed by the damage that was being done to the land and its wildlife. He witnessed the virtual destruction of some big game species, such as bison and bighorn sheep. Overgrazing destroyed the grasslands and with them the habitats for small mammals and songbirds” (“Theodore Roosevelt National Park”). He also realized that the bison herd and the bid horn sheep herds had been decreased in such large numbers that their populations were scarce. 

“It is also vandalism wantonly to destroy or to permit the destruction of what is beautiful in nature, 
whether it be a cliff, a forest, or a species of mammal or bird. Here in the United States we turn our rivers and streams into sewers and dumping-grounds, we pollute the air, we destroy forests, and exterminate fishes, birds and mammals — not to speak of vulgarizing charming landscapes with hideous advertisements. But at last it looks as if our people were awakening.”- Theodore Roosevelt

 

 

Thoreau, Hudson River School, and Transcendentalism

“Thoreau, as with the Hudson River School, invites us to find a sense of meaning, of direction and purpose in life through immediate contact with the living creatures, the vicissitudes of the seasons, and the varied textures of the earth” (Oelschlaeger). They both contain the ideal that the wilderness, as mentioned before, is a beautiful place for one to retreat to, to explore, and to enjoy. There was also a wide-held belief among Thoreau and possibly even the members of the Hudson River School called transcendentalism and one of their core beliefs is that there is an inherent goodness in both people and nature. This inherent goodness only adds to the belief that nature is godlike in its untouched state of being, but how can nature be considered untouched when it is an escape for man to go to? It is untouched because it has not been changed by the human hand nor has the landscape, but can this be possible in a time when national parks exist?

National Parks Today

Letchworth National Park
Franklin D. Roosevelt State Park Meriwether County, Georgia

The National Parks were created by Teddy Roosevelt as place of conservation of nature that were also meant to be a place of enjoyment for the American people. The National Park have since changed since their creation in 1902, playgrounds have been added, roads have been paved, cabins have been established upon them, sidewalks and trails have been added, bridges have been built- so the nature of the park has been touched by the human hand, but there is still nature to be seen within these parks. Animals and plants still live and thrive there and their populations seem to have gone unchanged and possibly have boomed thanks to their protection. The roads, cabins, sidewalks, and even stairs were put there during the Great Depression by hard working men and women who needed jobs and the parks needed people to take care of them. The parks needed people to take care of them so they would not become like wild untamed gardens or jungles and the men and women needed stable jobs while the economy bounced back to its own ‘natural’ state. The two helped each other in a symbiotic relationship of sorts and many of those walls, sidewalks, roads, cabins, etc are still standing today. Although nature was touched and edited by human hands it is still seen as beautiful and an escape to go to, a place for people to view nature in a somewhat natural state of being.

Was not this the idea from the start: to enjoy nature, soak in her beauty, gaze at her and know what it is like to see God’s own hand at work? Yes, that was the whole frame of mind from the viewpoint of the Hudson River School. This wilderness may have been tamed, but it has not been tarnished. Central Park herself was created by the hand of man, Frederick Law Olmsted and Calvert Vaux to be exact, yet people go to Central Park to gaze at, take pictures of it, and some people specifically go to New York City to see this grand park built within the confines of the harsh industrial complex and confines of the city.  Aye there is the rub- how can one enjoy nature in her wild state, yet revel in nature that has been created by man?

Work Cited:

Hogan, Kathleen M. “Introduction.” American Studies at the University of Virginia. University of Virginia, 1 Jan. 1998. Web. 18 Feb. 2015. <http://xroads.virginia.edu/~hyper/DETOC/hudson/intro.html&gt;.

Oelschlaeger, Max. “Emerson, Thoreau, and the Hudson River School.” Nature Transformed, TeacherServe©. National Humanities Center. 19 Feb, 2015. <http://nationalhumanitiescenter.org/tserve/nattrans/ntwilderness/essays/preserva.htm&gt;

“Theodore Roosevelt National Park.” National Park Foundation. NATIONAL PARK FOUNDATION. Web. 20 Feb. 2015. <http://www.nationalparks.org/explore-parks/theodore-roosevelt-national-park&gt;.

Implications of Isolation Beyond Ficiton

While readers tend to focus on Thoreau’s physical removal from society, and his resulting forfeit of easily accessed food, warmth and shelter, I draw larger conclusions from his emotional and mental seclusion. From literature to everyday life, solitude and introspection prove to be cathartic. However, my observations have left me questioning whether or not privacy can have constructive or damaging affects.

Last semester I took a course called the Woman Writer in which we worked with literature through a feminist lens. More so than any other piece, I long-awaited Ariel, a collection of poems by Sylvia Plath, since The Bell Jar has always been a favorite of mine. Anyway, I used to always hold Plath in high regard, because I recognized and respected her not only as a woman and a writer, but also as a victim. Plath was undeniably brilliant, but deeply motMTE4MDAzNDEwNjU4NzU2MTEwivated by an urge to please the men in her life: her controlling father, Otto, and her husband, Ted Hughes. As a result, many of her poems capture her resentment of gender roles. One of her poems in particular, ‘The Applicant’ depicts the story of an abrasive salesmen attempting to sell an appliance, a house-wife, to a young man. Sylvia Plath constructed ‘The Applicant’ days after deciding to divorce Ted Hughes, and her poem can be viewed as her disparaging commentary on marriage. In much of her work, Plath illustrates the hardship and inequity of being a woman, and refutes imposed ideals upon women. ‘The Applicant’ is no exception, as it draws upon and challenges a strict social expectation of coupling, and a subservient female role in marriage. Read along and listen here (her voice is eerily captivating).

Although I commend Plath for her stance against gender conventions, the more I have studied Plath, and the more I read up on her, the less enamored I become. Given her powerful yet disturbing writing, the tumultuous relationships which she herself formed, and her horrific suicide, I am left questioning, which was more valuable to Plath, her art or her life?

I have never thought to limit her work, or her life for that matter, to her mental illness. For this reason, I am left feeling disappointed with Sylvia Plath. I believe that her writing became so reliant on her pain and suffering, that she made no attempt at treatment. As a woman living in the 21st century, perhaps my critique of her is too harsh, but after reading a great deal of her work I can confirm that it does not extend beyond censure of the patriarchy and her struggles as a woman. Al Alvarez, an English poet, accurately viewed Plath’s self-destructiveness as “the very source of her creative energy. It was, precisely, a source of living energy, of her imaginative, creative power.” It is the nature of artists to incorporate their emotions and muses into their craft. But, Plath’s actual suffering and her work became one in the same. One of Plath’s idols, Virginia Woolf, coined the term “a room of one’s own” in which people of every gender are entitled to be alone, and uninhibited to focus upon themselves. In this state, Woolf believed that people could emerge stronger and more independent. I think that Plath found a room of her own, and locked herself inside of it forever.

Thoreau resembles Plath in his commitment to solitude. He has literally created a rooHenry_David_Thoreaum, a cabin, of his own in which he can dwell and learn to live deliberately, without contact from his superficial world. Like Plath, Thoreau seeks to gain vision, and to be able to share his experience with others. However, there is a great distinction to be made between the two. Thoreau removed himself from the world to pursue his passion, Transcendentalism. Plath isolated herself, detached herself from reality and ignored the well being of herself and her children. She became so obsessed with her work that she allowed herself to fall deeper into her pit of despair. It is a heart wrenching happening that Plath succumbed to her madness, while Thoreau led a liberating existence by combining his art with his life. In being driven by their burning passions, geniuses are rarely able to strike a balance between the two.

 

 

Source: Plath, Sylvia. “The Applicant.” Ariel. New York: Harper-Perennial, 1999. Print.

 

Technology Teaching Us

I have recently become a technophile meaning I have just started to find the immense advantages of technology, computer and other such means for our advancing future. However, the technophobia of looking stupid, embarrassing or just down right confused when trying to figure out how something on the internet works continues to cripple me. The internet is not meant to do that. If you are not sure of something there is always a means of looking it up or googling it.

For example, I know many of us in the English 340 class are having immense difficult with not knowing how to work html codes. I know I barely understand how to tie my shoes in the morning yet, I am expected to learn the extremely technical language of .html. Thankfully the internet has become my teacher.

Code Academy is “an education company. But not one in the way you might think.” Their statement is that many schools are planning on bringing computers into the class room (something which many colleges have already done) and expecting students to know about computers. Especially when students get into the workforce, how are they expected to know computer programming when it is not taught in schools?  “Education is broken. Come help us build the education the world deserves.” – A bold statement from a bold company.

So besides their very bold stance and very bold statements, Code Academy is quite helpful and very interactively fun. It is free to register, and you can register through facebook, g-mail or other social media, or give them your e-mail. After you register it allows you to edit your profile, and soon it asks you to choose a project.

There are two major options to get started:
Pick a Real Project:
Screen Shot 2014-02-26 at 11.41.55 AM

Or Pick a “Language” to learn:
Screen Shot 2014-02-26 at 11.42.17 AM

Either way you will learn code, in an easy to access way. I personally picked a project – the name color one to be exact.

When you get into the lesson part of the unit, they show you the finished project first:
Screen Shot 2014-02-26 at 11.42.48 AM
and then teach you from scratch step, by step, by step, by step. They have helpful hints, and they reward you with achievements. Different colors for different codes will be used and they tell you by status bar when you’ve gotten the code correct. The text in the black is the code, the text in white is what you are doing to an internet page. Its not the easiest but it makes it fairly simple to understand.  Eventually you will have a project of your own that you can post to a blog, or website or something goofy you want.

For me it was a bit confusing, and it still is. That is why I need to practice. This is why I need to ask questions. I believe in order to true push yourself, it helps to be insatiably curious while also being a little bit stubborn about learning. I blog, and learning this different style of computer language will ultimately be beneficial. Technophilia here I come!